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Fashion Illustration - Thesis Example

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Summary
The paper "Fashion Illustration" tells us about fashion illustrators or designers. Fashion icons of the 1950s were stars such as Audrey Hepburn, Marilyn Monroe, Elvis Presley, Sophia Loren, James Dean, Brigitte Bardot, Elizabeth Taylor and Grace Kelley…
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Extract of sample "Fashion Illustration"

In the era of 1950s and 1960s, the style was intended for designers and producers alone. Fashion illustrators didn’t think about forecasting stuff when they planned. Christian Dior, as an artist, would produce a set of collected works as an offer, which then the copyists would preserve into style. If a particular designer was in season, then the stores and customers would accept everything as far as it was his/her creation. The knockoffs would duplicate Dior’s blueprint for all price points and the public, by and large, all wore similar types of garments. The fashion illustrator or designer in that era became a god.

Today we survive in an enormously opposite world. The customer is the present god. No longer does the human race take style way as given by a small number of dwellings in Paris. No longer does culture insist on a definite set standard of coverage for all and sundry. But the glamour of the style illustrator setting the character for the period has reserved the old typical advertising series in use, at least for manifestation's sake. The trouble is that expertise has unnerved a monkey twist into this recurring conceit.
Fashion shows do not necessarily demonstrate the garments available for trade, carefully integer for the purchaser as it was in Dior’s daylight. In its place, they have morphed into trademarks and reputations, where pop idols and editors get the face row that previously used to fit into the buyers. Each style season provides a vast sum of propaganda that repeatedly filters down into the conventional, non-fashion medium as well. On the extra side, it creates a gigantic sum of buyer puzzlement. 

An illustration is a form of art, a masterpiece that is crafted, after being inspired by a certain element, or one that emerges due to the creative instinct of the fashion illustrator. In the present-day wild-goose chase in the label of fashion, the time required to create such masterpieces is considered a ‘waste’ by the monopoly and hence the art that used to dominate the fashion scene is getting extinct day by day. The only fashion illustrators who will attain triumph in the potential future will be the ones who dive into the predictable recurring charade and react to the bitter truth of the operation of the fashion world of today. Read More
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(Fashion Illustration : Why Is Becoming A Dying Art, n.d.)
Fashion Illustration : Why Is Becoming A Dying Art. https://studentshare.org/visual-arts-film-studies/2042652-fashion-illustration-why-is-becoming-a-dying-art
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